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People who know me are aware that alternative music often plays second fiddle to dance. So, when a song in that realm piques my interest, it’s a big deal.

“Cobra” by Brooklyn band Geese is a horse and cart tackling rough dirt roads—jangly, gritty and determined. I imagine a pioneer with reins in hand, trundling across frontier America, steely-willed for whatever life will throw at him next.

Defined by merry guitar strings and Cameron Winter’s timeless, strung-out vocal, “Cobra” rolls along with lyrics rich with imagery. At times, Winter is enamoured by his partner, “Baby, let me wash your feet forever, Baby, you can stay at my house forever and ever”, and at others, he’s at odds with her, straining against her romantic pull like a snake resisting its charmer.

“There’s a cobra in my hand,

She’s calling back again.”

There’s a dichotomy at play, a jolly melody squaring off against a handful of lyrics that sting with spite—“You should be ashamed, you should be shame’s only daughter.” I suppose that speaks to the truth of relationships, which are equal parts beautiful and painful.

Like so many others, I was late to the Geese party, but I’m making up for lost time now. “Cobra” is just one of many unique recordings on their recent LP “Getting Killed” (via Partisan Records / Play It Again Sam) – songs that hum with an agelessness I haven’t heard in indie music for a good long while.

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