“I’m full of air… at least that’s what the charts say. Aquarius, Aquarius, Aquarius. Although I don’t really believe in any of it, I think it’s a fun thing to share – a way to bond with others and exchange a little piece of information that might go nowhere…or somewhere.”
I don’t put much stock in horoscopes either, but I like the way American DJ, producer and label owner Amelia Holt approaches it. Born in Mexico and raised in Texas, Amelia has called New York City home for the last 12 years.
Straight out of the gates, she uses a phrase I’ve heard time and time again to describe this metropolis: a love-hate relationship. I’m still completely starry-eyed about NYC, having only been here for 10 months, but I’m sure the seesaw will tip soon enough.
Amelia tells: “It can tear you down, but it can certainly lift you up too. That’s why I’m still here.”
A major part of Amelia’s presence in New York (outside of mixing records) is her label, Honey Trap. Since 2023, she’s been platforming sounds she describes as “sexy, femme – a bit punk and a bit electric. Torn between two worlds that somehow belong together.”
Speaking with her, I discover the most rewarding part is the crew of friends she’s made – all those who’ve fallen into the syrupy lair.
“At the end of the day, it’s about music and the people. It’s about seeing all your friends in one place. Most of the time, that’s exactly what happens, and it’s really special when it all comes together.”
Honey Trap parties pop up all over the city, from Bossa Nova to H0L0, Nowadays, Public Records, Signal, and Amelia’s personal favourite, Nightmoves. More than anything, it’s these regular nights that are giving Honey Trap “its own voice,” Amelia tells me. It’d also be remiss not to mention Sarah Lim, who’s behind the visual aesthetic, bringing flair to the project through her stunning illustrations.
Honey Trap’s catalogue thus far is a gritty mixed bag, featuring releases from Pleaser, DOSIS (ZDBT & NAP), Autumns and CUERPOS. Each project lands metallic punches, thrown using distinct left-right combinations. This is electro-punk with dance characteristics.
About a fortnight ago, I was lucky enough to attend my second Waking Life. Set around a gigantic lake in Crato, a few hours outside Lisbon, the festival is, in my opinion, the finest adult playground on Planet Earth. And this year, Amelia made her debut there.
From 4–7 on Sunday morning, she took the Floresta stage on a quest, knitting together top-speed selections that carried a surprising delicacy. No records were mirror images of their predecessors, yet somehow they all stuck together like Velcro. Three hours that showcased why she deserved a coveted daybreak slot by the placid body of water.
“It was a sunrise set, so it certainly had its glowing moments. It brought a lot of joy seeing all my friends in the front row dancing away – I couldn’t stop smiling.”
Since my first visit to this special gathering, I’ve been tooting its horn to anyone who’ll listen. So it was genuinely cool to hear Amelia echo back the very same things I’d been telling others.
“I got to experience the whole festival from beginning to end, and all I can say is wow. The detail, the hospitality, and the love and intention behind everything blew me away…I felt special and considered. I’m very thankful for the opportunity. I want to do it all over again.”
Almost a full week, partying like maniacs in 30+ degree weather will do a number on anyone (me included). Amelia’s forethought paid dividends, bunkering down in the mellow seaside town of Sesimbra for a much-needed detox following the mayhem.
Since then, the New York local has spent some time off in Berlin, a chance to reflect on the life she leads before diving back into the gig whirlpool, with stops in London, Bilbao and Helsinki.
“I wake up every day feeling so thankful to be able to do what I’m doing and to be allowed to continue. I also have a day job, which I need to balance, but everyone is very supportive, which makes it easier to keep going on this journey.”
Time to get into the thick of that magical morning in Portugal.
This was my closing track at Waking Life. I wanted to end on a rock-and-roll note, and this has that feel. The people who made this edit are based in NYC, so it’s also an ode to Psychic TV, as well as to my friends Miles Mercer and Simic from Accessory Records.
Speedy and groovy from one of my favorite labels, International Deejay Gigolo Records. It has drive and kept the floor bumping. It gave just the right amount of energy for the 4–7 am slot – it felt like a shot of espresso.
A rolling early progressive, banging remix. I’ve been playing this one since the start of the year and never get tired of it – it’s a go-to in my collection. It has a slow build, but then it takes you by surprise, which I think is why I like it. It gradually rises to a nice peak where everything feels liberating – you’re floating and grooving.
I’m not sure how I came across this one, but it just showed up on my YouTube one night while I was doing some listening, and it’s absolutely nasty. The acid line is simply horny, and I think most people are here for it. I like to let it play out and let it soak deep into people’s ears – plus the name is just perfect.
I heard my friend Seth play this at the Solarplexia summer rooftop party we did in NYC a couple of days before going to WL, and I had to get it from him. And of course it’s an Optimo remix. It has a dark electronic wave to it, but it’s also really whimsical, with its repetitive melodies and looping vocals. You lose track of time and just let go and let it take you.