Music
Words by Will Bentley-Hawkins
Selections & Descriptions by Adobeprincess
The other day, I was watching Kareem Rahma (Subway Takes) interview celebrities on the Golden Globes red carpet. A cheeky question he threw out a few times was, “What was the name of your very first email address?” Most actors answered with a wince, laughing through gritted teeth. Kumail Nanijani’s response takes the cake – “sexybuoy because sexyboy was taken.”
Canadian DJ Charlotte M goes by the pseudonym adobeprincess, which, like maiden email names, stems from the silliness and innocence of young adulthood. In this case, however, it stuck and suits her to a tee.
Originally from Toronto, Charlotte moved to New York in 2014 to study graphic design, so she changed her IG handle to pay homage to the Adobe Creative Suite – software she would become inextricably close to over the next few years.
Chatting to her last week, she tells, “I used to post different design projects on the account and would always #adobeprincess. In 2020, I played my very first DJ gig, and they needed a name for the bill…from there it just sort of stuck and I kept it.”
When I visualise adobeprincess, I imagine a character you may bump into while playing Zelda, a mystical lady who invites you on quite the sidequest. This marries with Charlotte’s macro view on music,
“I see it as something that facilitates emotional journeys – a way of marking moments in life, holding feelings, and moving through change.”
Before getting anywhere near CDJs, this fixation manifested itself through obsessive playlists and shared listening. Never in her wildest dreams did Charlotte think she’d be on the other side of the coin, transformed from punter to purveyor.
I really need to get myself to Sustain Release (an electronic music festival nestled in the Catskills Mountains in upstate New York). Yet again, it rears its head as a powerfully formative experience. Just last week, artist Rosie Clements sang its praises, with several of her bubble wrap-printed photographs actually captured there.
“something really shifted for me in 2019 after attending Sustain Release for the first time. It cracked my mind and heart open to a deeper kind of experience that a dance floor can hold. I started listening more closely, becoming more attuned to the sounds that resonated with me, and digging for music on my own.”
Not long after, Charlotte found herself locked down (thanks to the pandemic) whilst living in Montreal. As cabin-fever-inducing as this was, it gave her the time and stillness to commit fully to learning how to DJ. “I practiced consistently, recorded everything, and let the process be slow and private until I felt ready to turn outward and share.”
A set from adobeprincess has substance. By that, I mean it’s a sum of many parts, and interesting ones at that. The tracks she blends are thick and impactful, and more often than not, ones I can’t quite place, which I love. Fitting into genre boxes is the last thing on her mind; Charlotte’s mission is simple – “I’m thinking less about control or technicalities and more about transmission – offering a feeling and allowing people to meet it wherever they are.”
Endearingly, Charlotte still says it feels surreal to perform this way. Soon, she’ll be heading to the other side of the world (Australia) to play shows, made possible only by forging IRL and online connections across oceans. Back home in NYC, she’s also just received the nod from The Lot Radio, where she’ll be a 2026 resident. Her strobe show will air every fourth Tuesday evening of each month.
Most recently, Charlotte spent the holiday and New Year period back in Canada, just outside Toronto. “It was very cold and very snowy. It was -28 °C the other day. I slowed down, reflected, and let things be quiet, a pause before the next stretch of movement,” she tells me.
While Charlotte may be accustomed to sub-zero temperatures, her records deliver thermal currents to the ears and environments she plays in. Let’s look closer at some of her musical inclinations. TROVE 033 starts now.
Whenever I’m digging, I so often get sidetracked and fall down liquid DnB rabbit holes. I found this while revisiting Aural Imbalance’s discography, which led me to Inner-Vation, a duo Simon Huxtaby is part of. I think it captures that celestial, weightless feeling that’s at the heart of the genre so beautifully. The percussion is a bit more forward, but it sits so perfectly with the airy, atmospheric synths that the whole thing just washes over you… cruise control in a spacecraft vibes.
A spaced-out, ambient-leaning techno track from Elektrolux’s massive catalogue. I love how restrained it feels — delicate percussion, a bit eerie, very spacious. It pulls you in quietly and creates this subtle, tripped-out intensity without ever demanding too much.
I love songs like this that have a pulsating yet meditative quality. The steady, cosmic build is super hypnotic and airy, and all the elements come together around this really sweet little groove. I’m always listening for music with a glimmering quality to it, and I think this one does that really well. It’s the kind of track that creates a breath of sorts in a set — where the room softens for a second, people can close their eyes, and the energy of the dancefloor can reset.
One of my all-time favourite tech house tracks, I love Silverlining so much. I first stumbled upon it in 2018 (before I was djing, but starting to dig and save things to YouTube playlists), and it’s stuck with me ever since. Nothing too crazy happens in it, but I appreciate how much it makes me feel while being quite stripped down. The blissed out breaks, that bassline, the rawness of its drawn out electro elements… it’s so sexy and timeless.
I’m a big fan of both Mandalay and PFM, so this remix feels especially close to my heart. It opens with an atmospheric intro that pulls you into a hazy dream until Nicola Hitchcock’s distinctive voice slowly ripples through with a simple, heartfelt sentiment. The way it builds into soft, rolling breaks feels incredibly fluid and emotional. This kind of DnB, where everything is sort of loungey and soft despite the tempo, is my favourite — I just want to collapse into it. The original version is also well worth a listen.
Loves Dance, Film Photography, Ocean Pools, The NY Knicks & Amaro Montenegro