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TROVE 028 | Ciel

Music

TROVE 028 | Ciel

Words by Will Bentley-Hawkins
Selections & Descriptions by Ciel
Photography by Joe Bulawan

Music | Canada | China | producer | Toronto | TROVE
Published | 02.09.2025

Ciel (Cindy Li) remembers her parents saving up money to buy her a piano at just four years old. Music was already woven into the fabric of her family; her parents filled the house with classical sounds, and her father was devoted to Italian and Chinese opera. Surrounded by that atmosphere, Ciel’s own love for audio bloomed quickly. But what began as a genuine passion soon soured, turning into resentment—a sense of disdain for something that no longer felt her own, instead imposed upon her.

Life began for Ciel in Xi’an, a historic city in China’s Shaanxi province. It wasn’t until her family immigrated to Albany, New York, in the early nineties that she first encountered hip hop, arriving just as the genre was in the midst of its golden era in America. By the new millennium, the Li’s had skipped town and would then call Toronto, Canada, their forever home.

“As a first-gen immigrant, I shared little commonality with my parents in terms of music…I felt like I had to develop my own relationship with it, completely separate from my parents.”

Through her formative years, Ciel often envied friends whose families seemed blessed with impeccable taste in music. Yet, in hindsight, she recognises that this absence became a gift–it pushed her to seek out sounds that resonated deeply with her and her alone. A self-confessed music geek, it was only natural that Ciel found her way to the university radio station as a DJ. Finally given a platform to champion the tracks she believed deserved time in the sun, she quickly became consumed by the art of spinning records. Interestingly, it wasn’t until well into her thirties that Ciel began creating music of her own. She attributes the delay to unresolved traumas from her early years of conservatory schooling. “I was afraid that the education would actually hold me back. In the end, I actually found the opposite to be true, and I wrote my first EP 3 months after I started learning Ableton.”

Since then, Ciel’s output has been remarkable. From her debut on Eris Drew’s vinyl-only label, Ecstatic Editions, to her Chinese-influenced LP Homesick, and collaborative projects with Dan Only (Cloudsteppers), D. Tiffany (Psychedelic Budz), and CCL (Tilda’s Goat Stare), not to mention remixes for King Gizzard & The Lizard Wizard, Adam Pits, and more—her catalogue burns brightly.

When I caught up with Ciel last week, she had just landed in Berlin and performed at Club der Visionaire for the popular MUDD Show videostream. The weeks before had been spent at home, preparing the next release on her imprint, Parallel Minds, from Toronto-based duo Phèdre. Staying firmly in the Canadian lane, time’s been spent holed up in the studio with Emissive, crafting a forthcoming collaborative EP. What’s more, Ciel dropped hints of a new live hardware set and an EP with Mathis Ruffing on Spray’s label Punctuality. “I’ve been getting familiar with the gear, watching tutorials, collecting samples and writing a lot of loops.”

Flights to North America for gigs are a regular weekend affair, but in her downtime, Ciel nourishes herself with pals, pets, and the great outdoors. “I go raving with friends, eat momos in the park, take nature walks with my boyfriend, and look after my plants and my cat, Ginbobo.”

About time we set sail on TROVE’s 028.

1. BOOF | “Wind Tunnel”

 

I’ve been a fan of Maurice Fulton since I was 19 and discovered his project MU with Mutsumi Kanamori, and he still surprises me constantly to this day. A man who is not defined by genre and whose imagination knows no bounds, Maurice makes music that’s so deep and colourful. This track starts with shades of dub techno and house, before the most gorgeous synth solo completely takes over. Who is putting synth solos on top of dub techno and it sounds that good? Nobody but Maurice.

2. Outa The Blue | “The Rhythm”

 

I spent more money than I should have on this record, but I gotta say it was worth every penny + more. I’ve been playing it in almost every DJ set; it’s extremely simple but effective. A beautiful filtered chord, layered underneath a female vocal repeating “the rhythm”, plus some glistening 90s UK tech house drums. It’s deep but not boring. A true close your eyes moment on any dancefloor.

3. Smoke City | “Mr Gorgeous and Miss Curvaceous” (Mood II Swing Dub Vocal Mix)

 

Yes, your honour, I am guilty of being crazy for bassline-driven tracks. I am not a fan of the original version of this song, which feels like a loungey bossa song with cringe vocals. Leave it to Mood II Swing to totally transform it into this sexy bassy groove. Nothing really changes much in the song, but I could listen to that loop nonstop for a lifetime.

4. Vanessa Daou | “Two to Tango” (Valley of the Daou Remix)

 

I found this track while prepping for Slowburn, the downtempo party I run with my friend Milch in Toronto. Vanessa Daou was once the wife of 90s NY house producer Peter Daou, and they produced some incredible house and downtempo under the alias Critical Rhythm. In my club sets I tend not to play a lot of singing, but 1x or 2x a night I do like to sprinkle in a special vocal house number that mixes well with the techy house I love to play and has a lot of attitude and bounce. This is definitely one of them!

5. Edo G | “Actin” (LM Remix)

 

It’s no secret I love a sick bassline, and I caught the bug as a kid, mad about 90s East Coast rap. This one I discovered recently, and it’s suuuch a sweet summer jam. Minimal and direct, it’s really just that earworm bassline and the guy rapping on top. Makes me think of barbeques and city pools and summers in NYC. Love putting this on and driving around with the windows down!

Writer

Will Bentley-Hawkins

Loves Dance, Film Photography, Ocean Pools, The NY Knicks & Amaro Montenegro

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