Music
Words by Will Bentley-Hawkins
Selections & Descriptions by ManmadeDeejay
Photos by Alba Rosa Gil & Thomas Asmussen
Little did I know that the city of Aarhus in Denmark is known as The City of Smiles.
No wonder the sonics spilling from locals like C.K, Central, and the Regelbau/Safe Distribution crew are so effervescent. Ever since I stumbled across their unique take on dance music, I have not been able to get enough. And that trend shows zero signs of slowing down.
Introducing Manmade Deejay aka Mandee (Mathias Okholm). Unsurprisingly, Mathias’s love of electronic music was moulded by seeing C.K. and Central play at parties around town. A self-confessed introvert at the time, Mathias would immerse himself in the sounds pumping from the speakers to escape being trapped in awkward conversations with partygoers. As he shares, “This kind of music became a comforting space for me.” Before long, Mathias had a fierce obsession with DJing and record collecting.
“My brain always fixates on titles, numbers and dates, so collecting records was a great way to nurture this trait.”
Gradually, he became closer and closer with the likes of Chris (C.K), Natal (Central) and Milán (DJ Sports), and soon, Mathias found himself entrenched in a collective he’d so long admired. “We saw eye to eye on so many things. The team just evolved through camaraderie.”
For context, the first Regelbau/Safe Distribution release was over a decade ago, and to this day, Mathias and his friends continue to bring the world some of the bubbliest and most enjoyable club tracks. It has not all been sunshine and rainbows; heck it never is. Throughout his life, Mathias has battled bouts of depression and illness, which he explains, “can rob you of the things that used to bring you joy…it creates a negative feedback loop which makes you question why you’re not enjoying this like you used to? The love and support he receives from his closest confidants and his “belief in the power of collective effort” keep his passion for music burning bright.
Mathias’s willingness to contribute to this series is an indication that love is very much alive and well.
First up is a track from Clark, aka the late great Mark Bell, from his Lofthouse release on Planet E. Mark Bell is perhaps most known as a founding member of LFO, and he also did some work with Björk in the latter part of the 90s. I really enjoy his output as Speed Jack and Counterpoint, but this particular Clark record has a special place in my heart. I stumbled upon it by listening to the DJ-Kicks mix of Claude Young, whose DJ’ing and producing I adore. He plays three tracks from this release in that mix, so I’ve picked one of the tracks not featured in that mix, which is my favorite at the moment, but that changes ever so often. The track itself is just quite peculiar with its gliding bassline, rough drums, and sparkly melody. As the track progresses, we can hear Mark fiddling with the drum machine, changing the release time on the snare and whatnot, creating a chaotic and lively sound, which kinda shouldn’t work, but it just does!
Continuous Mode is the alias of Andy Mellwig, one half of Chain Reaction and Force Inc. contributors Porter Ricks. I enjoy this track because it sounds like it almost operates within different fidelities within the track itself, through the bold and rough EQ’ing and mixing choices being made throughout the track. It creates a quite distinct and particular sound, which I find inspiring and exciting.
It’s no secret that I love all stuff related to the Figment, Continual, Rogue Beat, Meta and Arc / Arc(Ane) labels; in my head, they are all somewhat interrelated, and when I’m fortunate enough to be asked to play at a party, these labels and their respective producers take up a substantial amount of space in my record bag. Here, I’ve picked one from Andrew McLauchlan. To me, it’s a loop-based track being executed perfectly because it’s kept interesting throughout the track by having different elements, melodies, and sounds change and evolve around and on top of the loop, while the loop itself mostly stays the same.
I’m a massive fan of Charles Noel, aka Archetype, and the 21/22 Corporation label. I’ve been collecting his output for some time, so I had to include him here. One thing I particularly like about him and his output is that one element or sound in one track might show up in other tracks but is used in a totally different way and to a different effect. It creates a kinda self-referential universe within his output, and I mean this in the nicest way possible, which I find intriguing as a listener. I could’ve picked any track by him, but here’s a lil groovy one!
As the last pick, I have, symbolically, chosen a record that I used to play towards the last part of a party, and I’ve recently started to listen to it again. I can’t really speak about the artist(s) behind it because I don’t really know anything about them. It’s somewhat hard to pin down, kind of jungle-y/drum n bass-y, but then also not quite airy and echoed-out, but then also with a vocal hook front and center. I appreciate it because of that 🙂
Loves Dance, Film Photography, Ocean Pools, The NY Knicks & Americano's