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Premiere: Absence as Catalyst – Loure Finds His Way Back With “Always”

Music

Premiere: Absence as Catalyst – Loure Finds His Way Back With “Always”

Words by Will Bentley-Hawkins
Photography by Elizabeth Hutchinson

Music | Dance | electronic | Melb/Naarm | producer
Published | 02.03.2026

Distance does indeed make the heart grow fonder. I’m in the thick of it right now.

My partner lives in Washington, D.C., and I’m here in New York. We see each other every weekend, yet there’s no denying the days in between sharpen the absence. A void yearning to be filled.

On a vastly different timeline, music maker Thom Guida (Loure) finds himself returning to the art he loves after a fair stretch between drinks. He, too, is learning the pull towards something only distance seems to amplify.

Loure’s maiden EP, Westside Movements, made waves. Released back in 2017 via Noire & Blanche, the bundle felt like a blueprint for how jazz-house should sound. Track two, “Keep It Real,” still carries a cult following to this day. It’s the kind of record I still hear in coffee shops where someone on staff has a solid ear.

Up until 2021, the Melb/Naarm local continued drip-feeding EPs to his legion, cementing his knack for pairing beautiful wind instruments with club-minded programming. And then, the line went dead… until now.

“Always” begins like an F1 car on the grid, launching from its starting line with gusto. In some ways, it feels symbolic of Loure’s thirst to create returning — the ignition of a mental engine that’s been sitting idle now roaring back to life.

“I’d lost some drive over the last few years in the midst of the whole industry grind, but recently I felt the spark creep back in.”

Waning synths dance above pressing percussion before an unmistakable falsetto hits the mix. The moment it enters the fray feels like the gift of flight. Think being shot out of a circus cannon, spectators’ mouths agape as you careen through the air.

“It’s always you!” the singer cries again and again, which hits hard. The you here isn’t a person—it’s Loure’s enduring love for music. Even after a long absence, that passion, that adoration for the craft was always quietly waiting to return.

In the end, distance does more than sharpen absence; it reveals what matters most. For Loure, the time away makes the return all the more triumphant. “Always” is a testament to the gravity of what we love, the pull of what can’t be ignored, and the beauty of returning to something that was never truly lost.

Writer

Will Bentley-Hawkins

Loves Dance, Film Photography, Ocean Pools, The NY Knicks & Amaro Montenegro

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