Subscribe

Whet your appetite? Sign up to Phelt News

“Lululu” | Louis Lupin (Call Super) | Phelt Phinds 058

Music

“Lululu” | Louis Lupin (Call Super) | Phelt Phinds 058

Words by Will Bentley-Hawkins
Art by Jan Tomson
Anecdotes by Louis Lupin (Call Super)
Photography by Kasia Zacharko

Music | Dance | electronic | Phelt Phinds | producer | UK
Published | 14.10.2025

As a SoundCloud mix addict, it’s rare these days that I play an electronic album from start to finish. But Call Super’s (Joe Seaton’s) new LP, A Rhythm Protects One, bucks that trend, and unsurprisingly…it’s by design. The record pays homage to the golden era of DJ mix CD-ROMs—think Late Night Tales, Global Underground, and fabric.

Across nine aliases (Clam1, Scarletina, DJ Flowerdew to name a few) plus his main moniker, Call Super, Seaton creates an intricate, quirky, and intriguing collection of songs. What stands out most is this sense of spontaneity; the notes feel like they’ve hit the recording still sizzling from the pan. And yet, you can tell every moment has been meticulously considered. Despite the precision, there’s a vivacious and unpredictable energy coursing through it all. Listen closely, and the notes seem to speak their own language, weaving in and out of the mix as if in conversation, making way for one another effortlessly.

It’s tough to single out just one track from the bunch, but the sixth idea, “Lululu,” sticks its head highest above the parapet. Anchored by warped bass, insectoid clicks, stabbing TR-8s, and starburst effects that make you feel like you’ve been dropped into a Nintendo game, Seaton conjures an audio whirlpool I’m more than happy to be pulled into. Around the halfway mark, they introduce gentle vocal murmurs, adding a welcome touch of humanity. But for me, it’s the rolling drum machines that really take root in my mind, full of punch and fervour.

Via a friendly voice note, the producer explains that the Louis Lupin pseudonym is just a sweet nod to his love of lupin flowers.

“I’ve always loved lupins, there’s always a few on the balcony,”

As for the track itself, he frames it as a bridge, connecting the mix’s two distinct halves. “It moves things from the more minimal and steady into the second half, which is a bit more energetic.”

I also learn that “Lululu” was something of an experiment, with Seaton giving in to the temptation of “using a subby-wubby bassline in discourse with something a bit trackier.” In my mind, it’s a hypothesis that pays off. Call Super creates and combines sounds in a way only he can, and both “Lululu” and A Rhythm Protects One showcase this in spades. Play the whole thing through below.

Writer

Will Bentley-Hawkins

Loves Dance, Film Photography, Ocean Pools, The NY Knicks & Amaro Montenegro

Related Stories

Subscribe

Whet your appetite?
Sign up to Phelt News